‘Star Trek: Picard’: TV Review

“Star Trek: Picard,” the latest entry in an ever-regenerating franchise, eventually gets going. That it does so more tentatively than boldly may, at first, be a test of individual viewers’ loyalty to the “Trek” universe and to its most famous captain. ...

Film Review: ‘The Turning’

Director Floria Sigismondi’s “The Turning” is like the alt-rock cousin of author Henry James’ novella “The Turn of the Screw.” From its grunge-infused soundtrack and period setting to its fiery feminist overtones, this is an ambitious contemporary take...

‘John Henry’: Film Review

Terry Crews’ John Henry is a man of few words. “John Henry,” the folklore-cribbing, violent thriller (opening theatrically and available on demand) about a former gang member who must face his demons when two young immigrants require his help, feels li...

‘The Last Full Measure’: Film Review

The story of William Pitsenbarger, a U.S. Air Force Pararescue medic who risked his life in Vietnam to aid his comrades, as well as the decades-later efforts of fellow vets to see him posthumously awarded the Medal of Honor, is undeniably moving — whic...

‘A Soldier’s Play’: Theater Review

Now, that’s what I call a play! Charles Fuller’s Pulitzer Prize-winning drama “A Soldier’s Play,” now being revived on Broadway by Roundabout Theatre Company, packs plenty of dramatic tension into smoldering issues of racial justice a...

Mura Masa’s ‘R.Y.C.’: Album Review

With his 2017 self-titled debut album, Mura Masa — a.k.a. 23-year-old Channel Islands spawn Alex Crossan — was nominated for two Grammys, including Best Dance Album, and later won one for his remix of Haim’s “Walking Away.” Guests on the album ranged f...

‘A Fall from Grace’: Film Review

Why stay in your lane when you can veer into other roadways with your own turbo-charged vehicles? With “A Fall from Grace,” mogul Tyler Perry swerves back and forth between his usual woman-centered melodrama and a quasi-thriller. Shot over just five da...

‘9-1-1: Lone Star’: TV Review

In some ways, Rob Lowe is a fit for the Ryan Murphy universe. Something about his actorly vanity — so much a part of his star persona that it tends to impact every project he works on — feels lurid and unseemly in exactly the bad-taste way as does much...

‘A Bump Along the Way’: Film Review

While “Derry Girls” continues to be the last word in young, raucous female rebellion on the Emerald Isle, “A Bump Along the Way” has a little something to add. Sin the same Northern Irish city as the hit Netflix sitcom, but shed...

Film Review: ‘Troop Zero’

You’ve probably seen a version of “Troop Zero” before. Whether that version was called “Troop Beverly Hills,” “The Mighty Ducks,” or an edited-for-TV showing of “The Bad News Bears,” it’s unlikely that anything here will be particularly fresh to ...

‘VHYes’: Film Review

Its slim premise involving a couple of 13-year-old boys having fun with a camcorder in the late ’80s, “VHYes” is maybe a little too faithful to their sensibility — being exactly what a kid raised on “Saturday Night Live,” “SCTV,” and maybe cable broadc...

‘The Wave’: Film Review

A sort of “After Hours” update with a lot more drugs and time ellipses, “The Wave” throws Justin Long down a rabbit’s hole of sometimes hallucinatory, sometimes mortal peril when his button-down protagonist makes the mistake of celebrating a career bre...

Mac Miller’s ‘Circles’: Album Review

If you were cynical, you might think releasing a posthumous, pieced-together Mac Miller album 16 months after his passing from an accidental drug overdose would be just one more part of the current death march of releases from deceased young rappers wi...

‘Jezebel’: Film Review

There’s intimacy. And then there’s claustrophobia. Numa Perrier, the writer-director-co-star of “Jezebel,” delivers both in her nuanced debut feature. The semi-autobiographical story of a young woman finding her way as a “camgirl” in the world-wide-web...